by etreDuring a Sunday afternoon on a trip to the Whitney Museum in New York, we stopped in front of a painting called “Pittsburgh”. The picture wasn’t colourful nor alluring, but the feelings it unearthed were novel and felt important. The steel mill depicted was dark, smokey, and reminiscent of the industrial boom of the early… Click to read.

The Underground

During a Sunday afternoon on a trip to the Whitney Museum in New York, we stopped in front of a painting called “Pittsburgh”. The picture wasn’t colourful nor alluring, but the feelings it unearthed were novel and felt important. The steel mill depicted was dark, smokey, and reminiscent of the industrial boom of the early…

Read More...

by Susan diRendeWhen I taught writing at Santa Monica college, I warned my students that the first draft would never be a finished story. Finding their way through to the finish is always improvisational, often surprising, and sometimes flecked with brilliance. The more complex the story, the more likely to have false starts and needless meanderings. Even… Click to read.

The Non-Narrative Life

When I taught writing at Santa Monica college, I warned my students that the first draft would never be a finished story. Finding their way through to the finish is always improvisational, often surprising, and sometimes flecked with brilliance. The more complex the story, the more likely to have false starts and needless meanderings. Even…

Read More...

by etreWe invite you to a unique virtual journey through a museum designed to show the contents of our second magazine, Plastic / Artificial, including a casual cocktail hour (exclusive recipe included). Click here to purchase Plastic /Artificial Click to read.

Plastic / Artificial Virtual Gallery

We invite you to a unique virtual journey through a museum designed to show the contents of our second magazine, Plastic / Artificial, including a casual cocktail hour (exclusive recipe included). Click here to purchase Plastic /Artificial

Read More...

by etre  Now more than ever, we think it’s important to understand and develop a vocabulary to describe our isolation and loneliness. This is to suggest that when we can call our struggles by name, we can find ways to address and deal with them. To Remain Silent, with its specially curated blend of art and… Click to read.

To Remain Silent (free e-book)

  Now more than ever, we think it’s important to understand and develop a vocabulary to describe our isolation and loneliness. This is to suggest that when we can call our struggles by name, we can find ways to address and deal with them. To Remain Silent, with its specially curated blend of art and…

Read More...

by etre August 2019. Story by Mark Hutchinson found in the Magazine To Remain Silent. Seconds have stretched and stretched until they’ve become five years since I’ve started to seriously give thought to what the most insipid people in my life would mistakenly call the “impensable or the unthinkable.” Because who does something like this without thinking about it… Click to read.

My Suicide Note That’s Partly French

 August 2019. Story by Mark Hutchinson found in the Magazine To Remain Silent. Seconds have stretched and stretched until they’ve become five years since I’ve started to seriously give thought to what the most insipid people in my life would mistakenly call the “impensable or the unthinkable.” Because who does something like this without thinking about it…

Read More...
Load more...